March 27 , 2010



Madewell Brown walked into the village on a hot, dry day in 1946. A solitary black man with one arm longer than the other, he had never found a place for himself. Never, that is, until he had painted his own history on the interior walls of his adobe house in Guadalupe.
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The War of the Bould

When Fordrun Noveton announces to his pioneer family that he wants to sell their holdings and move to a free homestead in the Bould, stunned silence greets him as seventeen pairs of eyes stare with shocked amazement. As he relocates his family to a land that holds great promise but no protection or guarantees, Fordrun soon realizes he has just…

Fifty years later, Will Sawyer’s truck runs out of gas, and as he walks that same long road back into town he knows it’s best to keep his eyes on the ground. But he doesn’t understand the town’s long history of displacement or the difficulty of truly fitting in there, until he hears the story of the dead girl found hanging from Las Manos Bridge.

In Perdido, Rick Collignon returns to the same magical village he first introduced in The Journal of Antonio Montoya.

In Perdido, Collignon returns to the same magical town he first introduced in The Journal of Antonio Montoya. Once again mixing present and past, living and dead, he delivers a forthright and unflinching examination of race, belonging, and identity. With this novel, Collignon shows that a powerful new voice in American fiction has arrived.

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