Stanley Park, Vancouver, September 2014. A fourteen-foot bronze-cast cedar sculpture is being erected. Dignitaries from all levels of government are present, including leaders of the Coast Salish First Nations and representatives from Portugal’s Azores Islands. Luke Marston, carver/artist, supervises as his three-year project is revealed to the world.
Brandon Marlowe and the Alpha in the Omega
The war between Humans and Gods threatened the existence of both races when the powerful half-human, half-god offspring of the Gods known as Demigods brought their powers into the struggle. The Gods knew that for their way of life to continue, they had to fade into Humanity's memory. To do so, Zeus unleashed one of his most powerful weapons…
The sculpture-titled Shore to Shore
-depicts Luke’s great-great-grandparents, Portuguese Joe Silvey, one of BC’s most colourful pioneers, and Kwatleematt (Lucy), a Sechelt First Nation matriarch and Silvey’s second wife. Silvey and Kwatleematt are flanked by Khaltinaht, Silvey’s first wife, a noblewoman from the Musqueam and Squamish First Nations. The trio are surrounded by the tools of Silvey’s trade: seine nets, whaling harpoons, and the Pacific coast salmon that helped the family thrive in the early industries of BC. The sculpture references the multicultural relationships that are at the foundation of BC, while also showcasing the talents of one of Canada’s finest contemporary First Nations carvers.
Combining interviews, research and creative non-fiction narration, author Suzanne Fournier recounts Marston’s career, from his early beginnings carving totems for the public at the Royal BC Museum, to his study under Haida artist Robert Davidson and jewellery master Valentin Yotkov, to his visits to both his ancestral homes: Reid Island and the Portuguese Azores island of Pico-journeys which provided inspiration for the Shore to Shore