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January 04 , 2008

Adler & Gibb


“You’d like that, would you, your most private, pinkest, tenderest

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Bear Creek Valley

Memories of Montana's Bear Creek Valley flicker briefly to life each February on the anniversary of its darkest day. It is remembered as the site of Montana's worst coal mining accident, which claimed the lives of 75 miners, but the valley was so much more. For decades it was Montana's "coal basket," housing two towns, dozens of coal mines, and a…

– small bird, small bird, small fragile – stolen from you, slammed

down onto the slab, the block, poked at and paraded.”

The children swing their legs on the chairs. The student delivers the presentation. The older woman stands with the gun. The young couple arrives at the house. The house is returning to nature. A movie is being made. The truth is being plundered. But the house is still lived in and the spirit to resist is strong.

Adler & Gibb tells the story of a raid – on a house, a life, a reality and a legacy. The play takes Tim Crouch’s fascination with form and marries it to a thrilling story of misappropriation.

Janet Adler and Margaret Gibb were conceptual artists working in New York at the end of the last century. They were described by art critic Dave Hickey as the ‘most ferociously uncompromising voice of their generation’. With Adler’s death in 2004, however, the compromise began.

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