Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
Among the large caches of private documents discovered and collected in China, few rival the Huizhou sources for the insight they provide into Chinese local society and economy over the past millennium. Having spent decades researching these exceptionally rich sources, Joseph P. McDermott presents in two volumes his findings about the major social…
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