Louisiana Creole Literature is a broad-ranging critical reading of belles lettres – in both French and English – connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana.
The study consists in part of literary history and biography. When available and appropriate, each discussion – arranged chronologically – provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Séjour. Louisiana Creole Literature examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally.
Read alsoThe Eyes Behold Tomorrow
Edward Robert Teach is a modern-day barbarian that encompasses everything a woman loves and hates in a man. He abhors his notorious namesake, correctness in any form, and has a habit of expressing his opinion whenever it does the most offense. When he meets Kamini, a stunningly beautiful, large eyed woman from the planet Feletia, he thinks he has…