Taking issue with many orthodox views of "Film Noir," Frank Krutnik argues for a reorientation of the compulsively engaging area of Hollywood cultural production. By analysing individual films within a generic framework and using recent historical and theoretical research Krutnik looks at both the diversity of "film noir" and at its cultural significance. Through an examination of such films as "The Maltese Falcon, Double Indemnity, Gilda" and "The Lady From Shanghai" he looks at the tough' thriller in terms of
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