The Portrait of a Lady was, like Roderick Hudson, begun in Florence, during three months spent there in the spring of 1879. Like Roderick and like The American, it had been designed for publication in The Atlantic Monthly, where it began to appear in 1880. It differed from its two predecessors, however, in finding a course also open to it, from month to month, in Macmillan's Magazine; which was to be for me one of the last occasions of simultaneous serialisation in the two countries that the changing conditions of literary intercourse between England and the United States had up to then left unaltered.
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