Collateral Damage Report and other works contains poetry and microfiction author Michael Pollick has published in various magazines and journals over the past 30 years. PIeces in this collection have previously appeared in The Iconoclast,Midwest Poetry Review, HART- A Tome For The Arts, MOSAIC, Miller's Pond and the political poetry anthology Will Work For Peace, among others.
For Stacy Horn, regardless of what is going on in the world or her life, singing in an amateur choir—the Choral Society of Grace Church in New York—never fails to take her to a place where hope reigns and everything good is possible. She’s not particularly religious, and her voice is not exceptional (so she says), but like the 32.5 million other…
This collection explores a number of different themes, from childhood to the struggles of growing older. Some poems focus on the collateral damage caused by warfare, while others explore love in all of its aspects.
One of Pollick's literary influences is the late Raymond Carver, and several pieces use the same poetry/ultra short fiction technique. Is a piece like Brother Judd or Makebelieve Ballroom a poem or a microshort story? You decide.
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