In the early fall of 1958, the notorious Olympia Press in Paris published a novel entitled Candy
, an erotic, Rabelaisian satire loosely based on Voltaire's Candide
by one Maxwell Kenton, pseudonym of its coauthors, Terry Southern and Mason Hoffenberg. The novel drew the attention of the French censors, was banned, reissued by Olympia's intrepid publisher under the title Lollipop
, rebanned, then again reissued. Within years it became one of the most talked-about novels of the tumultuous 1960s, selling in the millions of copies in America alone, its success prompting Hollywood to turn it into a movie.
Rilla di Ingleside
Rilla è la più piccola dei figli di Anna e Gilbert. Ha (quasi) quindici anni, è viziata, carina e vivace, ha solo voglia di divertirsi, di “divorare la vita”, come dice lei. I suoi unici pensieri? I ragazzi (uno in particolare), le feste, i bei vestiti... ma è il 1914 e certe notizie che arrivano dall'Europa non sono…
The hilarious, rollicking, sometimes tragic story of Candy
's public career is recounted here in full. From the book's humble beginnings in late 1950s Paris through its agonizing three-year gestation (sometimes on paper napkins) and the authors' wily, often self-destructive business dealings with their equally wily French publisher, to its chaotic and controversial publication in the United States, The Candy Men
's underground then mainstream success-with unblinking scrutiny on the details, including the legal shenanigans that surrounded it, the blatant piracy that plagued it, and the star-studded cast that helped make it into one of the worst movies of all time.