Home » Fiction & Literature » R. D. (Richard Doddridge) Blackmore » Clara Vaughan, Volume II (of III) - The Original Classic Edition

April 19 , 2009

Clara Vaughan, Volume II (of III) - The Original Classic Edition


Finally available, a high quality book of the original classic edition of Clara Vaughan, Volume II (of III). It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by R. D. (Richard Doddridge) Blackmore, which is now, at last, again available to you.

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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Clara Vaughan, Volume II (of III):

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She would bring her work the next day, such as it was, and the nicest bit of sponge that was ever seen, it could not be bought in London; and she would answer for it I should be able to paint her likeness in a week; and she would not go till it was dark; and then the Professor should come for her when his lectures were over, and examine me; he knew all about optics, and retinas, and pencils of light, and refraction and aberration, and she could not remember any more names; but she felt quite certain this was a case of optical delusion, and nothing else. ...Must I grope from room to room, shall I never be sure where the table is, where my teacup stands; never read, or write, or draw; never tell when my hands are clean, except by smelling soap; never know (though small the difference) how my dress becomes me, or when my hair is right; never see my own sad face, in which I have been fool enough to glory, never – and this is worst of all – never catch another's smile?

About R. D. (Richard Doddridge) Blackmore, the Author:

Richard Doddridge Blackmore was born on 7 June 1825 at Longworth in Berkshire (now Oxfordshire), one year after his elder brother Henry (1824–1875), where his father, John Blackmore, was Curate-in-charge of the parish.... Having spent much of his childhood in the lush and pastoral 'Doone Country' of Exmoor, and along the Badgworthy Water (where there is now a memorial stone in Blackmore's honour), Blackmore came to love the very countryside he immortalised in Lorna Doone.

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