When should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogueor the lack thereofis dragging down your scene? How do you fix a character who speaks without the laconic wit of the Terminator?
Phenomenological accounts of sociality in Husserl, Heidegger, Merleau-Ponty, Sartre, Scheler, Schütz, Stein and many others offer powerful lines of arguments to recast current, predominantly analytic, discussions on collective intentionality and social cognition. Against this background, the aim of this volume is to reevaluate, critically and in…
Write Great Fiction: Dialogue by successful author and instructor Gloria Kempton has the answers to all of these questions and more! It's packed with innovative exercises and instruction designed to teach you how to:
Create dialogue that drives the story
Weave dialogue with narrative and action
Write dialogue that fits specific genres
Avoid the common pitfalls of writing dialogue
Make dialogue unique for each character
Along with dozens of dialogue excerpts from today's most popular writers, Write Great Fiction: Dialogue gives you the edge you need to make your story stand out from the rest.
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