In an original and provocative demonstration that Coleridge's later poetry took on a powerful metaphysical conception, Edward Kessler emphasizes Coleridge's struggle with language as a means of both expressing and creating Being. While many of Coleridge's late poems are generally viewed as fragments that constitute an aesthetic failure, Professor Kessler contends that what at first may appear to reflect Coleridge's inability to finish a poem can otherwise be seen as a deliberate rejection of what the poet came to see as a confining form.
Spielerisches Meistern unserer Persönlichkeit und unseres Lebens trägt uns zu einem höheren Bewusstsein. Und genau dann fängt unser eigentliches Leben erst so richtig an. Wir entdecken, dass wir in jedem Augenblick die Wahl haben, das Leben so zu steuern, wie wir es uns wünschen – und noch mehr: wir können vom Leben alles haben. Dem…
Originally published in 1979.
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