Though one of the best-known books in the world, Pinocchioat the same time remains unknown—linked in many minds to the Walt Disney movie that bears little relation to Carlo Collodi’s splendid original. That story is of course about a puppet who, after many trials, succeeds in becoming a “real boy.” Yet it is hardly a sentimental or morally improving tale. To the contrary, Pinocchio is one of the great subversives of the written page, a madcap genius hurtled along at the pleasure and mercy of his desires, a renegade who in many ways resembles his near contemporary Huck Finn.
1945, Lake Como. Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duce’s death remain shrouded in confusion and controversy.1992, Milan. Colonna, a depressed hack writer, is offered a fee he can’t refuse to ghost-write a memoir. His subject: a fledgling newspaper financed by a powerful media…
Pinocchio the novel, no less than Pinocchio the character, is one of the great inventions of modern literature. A sublime anomaly, the book merges the traditions of the picaresque, of street theater, and of folk and fairy tales into a work that is at once adventure, satire, and a powerful enchantment that anticipates surrealism and magical realism. Thronged with memorable characters and composed with the fluid but inevitable logic of a dream, Pinocchio is an endlessly fascinating work that is essential equipment for life.
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